#compression packing

[goodrichgasket12]

Tame the Toughest Leaks with Goodrich Gasket's Compression Packing

Go beyond ordinary packing materials. Goodrich Gasket's compression packing is a heavy-duty warrior built for the most demanding industrial environments.

Unleash the Power of Compression: This innovative packing utilizes cutting-edge materials that compress under pressure, creating an impenetrable seal that stops leaks in their tracks, even in high-pressure situations.

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One Packing for Many Battles: Don't be fooled by single-use solutions. This versatile packing tackles a wide range of challenges, from pumps and valves to harsh environments like soot blowers and rotary steam joints.

Experience the Goodrich Gasket difference - superior sealing, exceptional durability, and a universal solution for your toughest leaks.

This description uses a more action-oriented and metaphorical tone, emphasizing the strength and versatility of the compression packing.

[indigo-greer-collins]

no david you don’t get it, i WANT you to CRUSH me with your weight, JUST LAY THE FUCK DOWN

[pfpanimes]

⌕ boku no hero academia – mr compress.

like or reblog if you save/use.

[r0semultiverse]

Qrow’s Semblance is Fortune! 🐦‍⬛

I talked about this briefly before, having speculated that Clover’s pin carries on his good luck after death or that Qrow has just done a lot of training mentally and/or physically. @benevolentslut had some amazing additions as well & I want to sum up this theory for you as best as I can as we reached similar conclusions even before I had read her reblog.

Qrow has only been in the negative all his life, mentally and emotionally.

This man has had barely any positivity in his life.

"His whole life he's been the epitome of cynicism and pessimism." - @benevolentslut

Qrow grew up under constant stress & threat of those around him.

Needless to say, but I don't think he could trust anyone he grew up around except maybe Raven.

Then he has to constantly worry about being found out by the other huntsmen! Also growing up with the threat of huntsmen and Grimm the entire time!

Then Oz drops the whole Salem problem on him & I'm sure that didn't help his mental health in the slightest!

"His sister leaves him and their team, and then summer disappears." - @benevolentslut Yeahhhh he is losing everyone close to him in one way or another! That cannot be a fun experience!

This look like the face of a guy that's doing okay?

I'm just going to copy paste this here as I hadn't noticed it & it feels worth noting that the intensity of his misfortune seems to increase with the increasing mental strain.

While we don't know for sure that all of these things are a byproduct of Qrow's misfortune semblance, it certainly isn't out of the realm of possibility. Notice the worsening of his mental health resulting in potentially more disastrous outcomes. 😰

"we see him blaming himself constantly for everything that goes wrong, and it only causes that to become more true." - @benevolentslut

She lists a lot more examples of where Qrow's semblance has potentially worked this way in the original post. Clover comes along & starts lifting him up, giving him actual hope. He now has a little seed of hope planted in him. 🍀

Wow, Qrow is doing so good for himself lately! I sure hope nothing-

Oh... oh no. From his perspective Ruby & Yang could literally be dead. He is stricken with grief as he watches it all unfold & probably sunk back down into a negative spot mentally. He may even blame himself in some way.

When you're this low, there's a saying that goes "nowhere to go but up."

I firmly believe that Qrow would see things that way, especially after reaching his lowest point. He can only do his best to help those around him. Though he's the most alone he's ever been, he's becoming a part of a new community where people help one another. In that sense, it's impossible to be alone. In spite of it all, he slowly finds his mental health improving! Ruby's message to the world is bringing people together! 🌹

"and we see him take up clover's role, both in terms of how he's helping out around shade, and more literally, in the unmissable parallel where he catches the guy who trips." - @benevolentslut

Ruby & Clover have both filled him with hope & he's more optimistic than he's ever been, which results in bursts good fortune! ✨

There's also already a premise for shifts in mental health and trauma resulting in semblance evolution.

Cinder betrayed Neo & so she winds up in the Ever After & through her form changes is showing us that she now has negative feelings towards Cinder.

She's so upset that her semblance starts to make multiple clones of her which it has never been able to do before. Her Overactive Imagination semblance has evolved due to the state of her mental health.

Her semblance begins to evolve so much to where she can create entire architectural structures and buildings out of it!

She can even use it to talk through the people she recreates, something she's not physically capable of herself.

While we do have to take into account that the Ever After plays by rules that are a little bit different at times; this absolutely confirms that semblances, much like people, can change & grow! 💪

My conclusion: Volume 10 & beyond will show Qrow's personal semblance evolution as he finds out that his power is actually Fortune itself & the ability to control it, good and the bad.

[turbo-tsundere]

i'm glad to see the positive asks coming up at great timing ;w; i hope you're doing okay! please take breaks whenever you need, and take your time. it's a strange question, but i was wondering if drawing gonta and kokichi has ever given you any practice at drawing a certain aspect of their character (anatomy, clothes, nature...?) i'm really curious!

Thank you, I'm trying my best (• 7 • ) Thought current issue is that I want to draw SO badly but caaaan't, because I'm too busy grrrrrrrrr wr I missedGonta'sbirthdayAGAIN. Oh well, maybe next time but ghhhh *frustrated cat noises*...

Regarding your question, it's not weird at all. I do hope though I understood it correctly, because the way I see it, drawing anything is always simultaneously practicing it, whether it's a warm-up sketch, or finished drawing... But perhaps "Did you have to practice/learn stuff to properly draw these characters or things symbolic to them" is more in line of what you wanted to know?

Then yes, absolutely, there was quite a bit of that!... So this is going to be a very long one.

When it comes to Gonta... oh boy. I'm not underestimating by saying pretty much every single aspect of his design is something I struggle with. Long and slightly wavy hair is the most difficult kind for me to draw, and I keep forgetting the exact shape of his quadruple ahoge. I've difficulty with narrow faces (and his wide neck doesn't make things easier in that regard xD), and I didn't draw that many muscular characters like him in the past (I did draw a lot of over-exaggerated, blockier fantasy characters, but somehow this wasn't helpful for my brain because ????? ...Well, they often have disproportionately massive joints and way different skeletal structure that doesn't exactly make sense tbh).

Drawing suits is my bane, especially lapels; if it looks good, it's because due to my stubbornness I redrew it 5-15 times. I generally struggle with kimonos, suits and certain types of uniforms - anything that's formal wear made of relatively stiff fabric that creates little to no folds and has to fit well and relatively snug, but still obscures anatomy...

Gonta's glasses gave me trouble, too: I didn't know I was drawing their perspective wrong until I studied photos, videos, or 3D models of people who happened to wear similar models...

(How I instinctively drew glasses vs how they're apparently supposed to look at specific angles. It feels so unintuitive and surprising for me to see the farther lens stick out so much... kinda funny, considering I wear glasses myself, albeit rectangular ones.)

Even his eyebrows turned out to be a challenge, because they start thin in inner corners, then get thicker as they spread outwards - this made me realize that I tend to draw my own characters with an exact opposite shape xD... It took a while to get a hang of how they'd look while expressing different emotions (but I think they are cool the way they split at the end!)

I pretty much had to actively practice all of the above. It was difficult but rewarding, and especially at the beginning of my brainrot I really dove into the research, studying details, collecting all sorts of references both realistic and stylized, and working on how to translate Gonta into "my style" (which imo ended up more like a hybrid between my own style and DR one) to represent him and his vibe as accurately as possible (it's generally my philosophy with fanart).

On a side note, imo Gonta has a great design. He combines simple elements and colour palette - wild long hair, brown suit, glasses, barefoot - and not too many small ornaments (bug box, lapel pin), but they result in something unique and distinct. I find that school of character design really clever, and oddly more difficult than designing overly elaborate ones.

Going back to the topic of the practice, it was beneficial even for subjects besides Gonta himself. For example, getting a hang of how to draw beefier, more pronounced anatomy helped me understand it better in general, and be able to draw more lean characters as well. (I do have trouble with subtle things like how a ribcage connects to the waist, then hips, or how shoulders look at specific angles etc.)

Or when I had to research bugs for some of the fanarts, it made me realize how much more complex their anatomy is, and how despite the infinite variety of species there is always a certain consistency to it. I started appreciating them so much more... my previous default was rather neutral leaning on slightly positive, but I was scared stiff of mantises when I was a kid. Now I find them genuinely beautiful, endearingly dramatic with their patterns and behaviour... And see bugs as so cute overall. I guess Gonta would be happy to know that?

Thanks to him I managed to return to more painterly and sketchy techniques, too (For a few years before playing V3, I used to draw a lot more lineart heavy works with anime-like shading, and I was worried if I'll be able to stray away from that).

In the end, every fanart is always an exercise in something, like "oh let's try those golden/metallic digital paints, let's try dark colours/hair underwater study, or high contrast, etc., etc..

Gonta was tough to draw, still is, and I'm definitely not done learning and making mistakes, but I don't mind... and I think it's a good thing to feel about something, when you want to keep doing it even if it isn't always a walk in the park. He's definitely a FUN variety of challenging. I only hope I will be able to keep finding time and energy to keep on going.

---

Kokichi on the other hand isn't particularly difficult to draw, even if it wasn't the case at first, though for mostly emotional reasons. On a technical level, he's nicely effortless, though there are some tricky aspects to his design, like how his hair works in a 3D space.

I even made myself a little "guide" in the beginning, to help me understand just that. I'd draw his "base" hair and add these signature strands.

Funny how... casual he looks without them? Fandom usually depicts all of his hair curled outwards, even I do that quite a bit, while in canon, oddly enough, it's just a few strands that seem longer than the rest of his hair. His hair is also simply black with purple tips, not all purple like he's often depicted.

(Behold, a wet cat Kokichi doodle from the depths of my fanart folder. YES, those are hair rollers.)

It's interesting how characters are often drawn the way they "feel", rather than by strictly adhering to their design, and how it leads to accentuating some design elements...

Oh right, I also had no clue how to draw Kokichi's face at first, how to interpret it into something more realistic; this character named Doa from Blade of the Immortal by Samura has served me as an accidental inspiration in translating his features into something closer to my own style. The checkered hat and big guy companion may or may not have contributed to grabbing my attention.

(panels from Hiroaki Samura's manga)

The way I draw Kokichi has changed since, getting closer to his original style, but it's thanks to her that things clicked into place, and I managed to finally draw the fanart that I was actually satisfied with, this one specifically. (Also it may or may not have inspired me to muse about BotI ougoku AU for like 54 seconds.)

But all in all, Kokichi is really pleasant to illustrate, and what I enjoy practicing the most is his baggy shirt and, again, his hair.

Also the scarf. I really enjoy drawing drapery and baggy clothes, but I specifically like to draw this checkerboard pattern by hand and merge it directly with the lineart and shadows - so it's more like a bunch of abstract shapes creating an object, rather than clearly separated lines, shadows and colours. It helps with accentuating the dimensionality of his scarf (which I always felt like is some sort of infinity scarf, since there aren't any ties visible on his concept design...). I know using a pattern would be much faster and easier work, but I just like drawing it, so I don't mind putting in that little extra work in there.

(I really love hatching, too. I actually don't like linearting all that much lol, unless I merge and structurally "support" it with hand-drawn textures or thicker brushtrokes - it's nice to test out different brushes just for that purpose.)

To sum it up: yep, I was given an opportunity to practice a ton of things thanks to those two lovely messes. I still am, and certainly still will - even if some of those might be simply re-learning stuff I got rusty at, bc no art skill is ever a static one, for better or for worse.

[copia]

SLEEP TOKEN at DOWNLOAD FESTIVAL 2025

[shirozen]

Deflate for maximum storage

[goodrichgasket12]

Seal Tight, Seal Right: Goodrich Gasket's Premium Compression Packing Solutions Compression packing is a method used to seal gaps and prevent leakage in various industrial applications, including pumps, valves, and other machinery. Goodrich Gasket, a renowned manufacturer, provides compression packing solutions designed to withstand demanding conditions and ensure optimal performance.

[seaseren]

All I want is cotton flannel that isnt too expensive and comes in a pack of precuts with a variety of colors and isnt just plaid. So actually I want a lot. But still

[wispstalk]

I did a 300-mile thru-hike a few years ago and the hunger was relentless after the first week. every conversation at the campsites always turned back to what foods we planned to demolish the next time we saw town. i recall a day where I had an industrial-size pack of gummy worms in one pocket and a block of sharp white cheddar in another and I would just alternate cramming each of them into my face hole at the same rhythm I was marching up some mountain. left foot, right foot, left chomp, right chomp. i'm aware of how that combination sounds but at the time i cared for naught but CALORIES

[lcpmon]

i will now not need to think abt art for two weeks until i get back and have to complete two charm designs done before the 30th

[eternalmayfly]

Take care of your hands or end up like me

[singlethread]

Standing still for six hours straight for the first time in years was not fun

[peaches2217]

I moved to a new town in May for a job offer, and I gave up a lot of my hobbies out of either necessity (like martial arts; work won’t accommodate even a single one of the local dojo’s time slots) or because I’ve just been having a hard time adjusting to the upheaval and have been fixating on a handful of comfort topics, which exclude said hobbies (like vocalsynthesis). Tonight, I’m gonna set aside my writing and try picking up one such abandoned hobby: sewing!

I’m not much good at sewing, admittedly. I do everything by hand because sewing machines scare me and my stitches are gaudy and uneven. But it’s oddly relaxing, or at least it has been historically, working on a little project while watching true crime or BKFC. Here’s hoping that hasn’t changed in the past months!

[goodrichgasket12]

Enhance Equipment Performance with Goodrich Gasket's Compression Packing

Goodrich Gasket offers a variety of compression packing materials designed for sealing pumps, valves, and other rotating equipment [1]. These packing materials create a tight seal to prevent leaks around the shaft or opening. They are suitable for a wide range of applications, including:

Pulp and paper industry

Chemical processing plants

Refineries

Power generation

Marine

Mining

Water treatment

Food processing